Directed by Geoffrey Sax [Other horror films: N/A]
This is a somewhat more-popular film, partially because it stars Michael Keaton, and as such, much like movies such as Hide and Seek (starring Robert De Niro), What Lies Beneath (Harrison Ford) and D-Tox/Eye See You (with Sylvester Stallone), it’s generally forgotten by the horror community nowadays, and for, I think, pretty good reason.
Not that the movie is an extraordinarily poor one – it’s not memorable enough for that. It’s a pretty high-budget film, as you’d imagine (or at least, as you’d imagine as soon as you see that Keaton’s in it), and there’s no doubt that it’s competently-made, but there’s just not enough here to really make it anywhere near a standout film.
Some of this is because the horror is a bit on the lighter side. It’s there, don’t worry about that, but it’s there in the What Lies Beneath-way, and just feels so incredibly safe and tame. On a related note, this film is PG-13, which isn’t by any means damning, but it does show that this wasn’t going to really turn any heads at any point, and it really doesn’t.
I’ll give it credit for Ian McNeice (who in fact reminded me of another actor that I can’t yet place), who give a pretty enjoyable performance in his limited time, and Deborah Kara Unger. I don’t think Unger did a fantastic job here, but I do know her from The Game (1997), so that’s something. Keaton I really only know from the 1989 Batman, and I’m much more a Christian Bale-type of guy, so I couldn’t really care much about Keaton here. His performance is okay, but it’s far from great, which is fine, because the movie doesn’t warrant A+ acting anyway.
Not that the movie is without strong points. While I really don’t care for 90% of the final thirty minutes, I did like the three silhouettes of the evil ghosts (or whatever they were – that’s one of the things I wish they touched on more), and that final setting (a dilapidated factory, with giant holes and rain falling freely into the structure) was on point. Maybe a few other scenes were cool, but as I try to focus in on one, I just hear white noise and can’t complete my thought.
Also, those final three seconds were terrible. Just entirely unnecessary, which is probably intentional, as I feel that a lot of what they did with Unger’s character throughout the film was unnecessary. And speaking of unnecessary, I didn’t much care for that final message from Keaton’s character to his family. It felt like something out of a touching family drama, and a bit out of place.
White Noise isn’t a terrible movie, and I don’t want to give anyone the impression that I think it is. It’s far from a good movie, but it probably accomplishes a lot of what it set out to accomplish. It just wasn’t the type of movie I enjoy, and much of it fell flat for it.
This is one of the films covered by Fight Evil’s podcast. Listen below as Chucky (@ChuckyFE) and I discuss White Noises.