Directed by Nick Simon [Other horror films: Removal (2010), The Girl in the Photographs (2015), 2 Lava 2 Lantula! (2016), Truth or Dare (2017), Untitled Horror Movie (2021)]
For a Syfy release, Karma’s okay. It’s not particularly good, and I suspect it won’t be particularly memorable in the months to come, or even weeks, but it’s nowhere near as bad as other Syfy films such as Dead in the Water and Grave Halloween.
Story-wise, it reminded me a bit of It Follows, where, instead of a dark force following someone after sex, it follows them after they commit a terrible act. It’s not really original, but I liked some aspects of what Karma tried to do with it, though, and this perhaps wouldn’t come as much a surprise, the jumps struck me as mostly unnecessary.
When it comes to concerns, there are quite a few that Karma poses. For instance, only three of the performances in the film really stand out (being Tim Russ, despite his horrible character, Mandela Van Peebles, and Brytni Sarpy, who was also in the likewise unmemorable 2017 Syfy flick Truth or Dare). None of the other actors and actresses do particularly bad, but they’re just sort of there. And much could be said for the story itself – like I said, I enjoyed some of the aspects (such as Peebles’ attempts at removing the curse from himself during a feel-good montage), but ultimately, Karma felt pretty bland.
Once everything’s said and done, that’s the biggest problem with the movie – it was completely unremarkable. It did boast one death sequence I rather enjoyed (involving a saw blade and a hammer, in a very Final Destination fashion), so it wasn’t completely without gore, but generally, there was little of interest here, and the conclusion felt a bit off, along with being somewhat anticlimactic.
Syfy has so many better movies, such as House of Bones (2010), Neverknock (2017), Cucuy: The Boogeyman (2018), and even Stickman (2017). Karma isn’t the worse that they’ve done, but it is both tepid and ultimately forgettable, which is the main issue. I’d pass on this one.