Directed by Peter Sullivan [Other horror films: Summoned (2013), High School Possession (2014), Ominous (2015), Cucuy: The Boogeyman (2018)]
This Syfy flick isn’t the worst I’ve seen the channel make, but it is overly generic and pretty close to pointless. Ultimately, it comes across as a poor knock-off of Firestarter, what with a little girl who has a power she can’t control being chased by military men, and I just couldn’t find myself caring whatsoever.
In terms of what the film does right, I felt there were a few solid kills that warrant a mention, such as a character’s head getting compressed until it pops, along with a scene in which the Sandman breaks the spine of one of the soldiers. Also, Tobin Bell has about six minutes of screen-time, so that’s cool, right?
Shaun Sipos’ character ends up being a lot less important than one might think, which was a bit surprising, but honestly, I couldn’t find the effort to care much. Lead girl Shae Smolik does about as well as you can expect a little kid to do, but I personally found her a bit irksome throughout. Amanda Wyss (Tina from ANOES) appeared for a bit, but I honestly didn’t know who she was until I checked through her IMDb credits. Haylie Duff somewhat sucked. But hey, Tobin Bell has about six minutes of screen-time, right?
Honestly, the more I think about this one, the more derivative I feel it is. Like I said, I kept getting a Firestarter vibe from it, which was exactly how I felt when I first saw this film, shorty after it’s premiere in October 2017. I didn’t like it then, and I certainly haven’t changed my view in light of another watch.
To be entirely truthful, I don’t think there’s really anything else to say about this, other than that I really didn’t care for the design of the titular Sandman (it didn’t look near organic enough, if that complaint makes sense). This flick wasn’t the worst Syfy original I’ve seen, but it was entirely pointless and without merit. I mean, at least I got to see Tobin Bell in a handful of scenes, so that’s enough, right?
5 thoughts on “The Sandman (2017)”