Directed by Nick Millard [Other horror films: Satan’s Black Wedding (1976), Doctor Bloodbath (1987), Death Nurse (1987), Criminally Insane 2 (1987), Cemetery Sisters (1987), Death Nurse 2 (1988), Dracula in Vegas (1999), The Turn of the Screw (2003)]
I’ve long heard of this one, but I never knew how much of a hoot it’d be. Which is sort of ironic, as, at least in my opinion, there was very little in the film itself that was meant to be light-hearted. But the idea of a morbidly obese woman going on a rampage to ensure she can continue eating food at her own pace is definitely liable to raise some eyebrows and cause a chuckle or two.
The quality was what you’d expect of a grindhouse horror film, but I liked it all the more for that. The death scenes weren’t amazing – the blood is among some of the fakest blood I’ve seen in some time – but at the same time, they had heart. And this movie, with the short running time of an hour and one minute, certainly had the deaths to keep in interesting.
The story’s not particularly deep, and the acting isn’t always amazing (though our murderess, Priscilla Alden, does a very solid job in her role), but it is a very amusing flick. There was a sequel released in the late 80’s, starring Alden also, but I hear it lacks much of what this provided. If you’re a fan of 70’s grindhouse horror, and don’t mind iffy quality, I’d recommend giving this a go. Worst case scenario, you’d out an hour of your life. I found it worth it.
Directed by Stan Winston [Other horror films: Ghosts (1997)]
Personally, I never thought that Pumpkinhead got the love it deserved. For whatever the sequels were, the first Pumpkinhead, overall, is a damn solid film, and Lance Henriksen, an actor I generally don’t care for, put up a very good performance here. The set-up, showing a impoverished but loving father and son really allows us, as viewers, to understand why he wanted revenge after what happened to his son. And speaking of that, that scene in which he’s digging up the bones of Pumpkinhead has long been a favorite of mine, as the setting, a mist-covered, decrepit graveyard is truly a place you’d think twice before entering.
The on-going drama between the kids was less interesting, but as most of them die by the end of the film, such is life. Also, the fact that unlike many, if not most, 80’s horror films, Pumpkinhead is deadly serious has always struck me an interesting choice. There’s no humor to be found in this movie, not really even with the scenes featuring the kids. In many ways, it feels more like a 70’s movie than an 80’s one. One last note – the setting as a whole deeply intrigues me. Those people really look as though they’re living in 1920’s West Virginia poor communities. And yet, communities like that still exist, and certainly did back in 1988. Exaggerated a bit? Sure, but on the whole, that setting, for some reason, appealed greatly to me. Pumpkinhead’s a good film. Not perfect by any means, but a very solid title all the same.
Directed by Richard C. Kahn [Other horror films: N/A]
This is an oddity, one of the first all African-American casted horror movies. As such, it’s as Poverty Row as one could imagine. Also, the version widely available seems to be missing a minute or two halfway through the film (which is already short – clocks in at just over an hour). Sound quality, or video quality, for that matter, wasn’t up to par for even my standards of the time period, but it was just about as good as I remembered it.
Really, it’s just a generic movie, with some okay light-hearted comedic portions provided by one of the characters (who was actually played by a writer of the script) and an almost-threatening atmosphere. It falls short, though, of it’s aims, and overall, seems an overly forgettable movie, especially as so many other horror films, some great, came out around the same time. The points I give it are mainly for the setting itself (a house, which, while generic, was used to good effect in the film) and some of the more humorous lines.
(Note: This was one of the reviews I wrote early on, so it’s shorter and far less in-depth than my more recent ones. Should I rewatch the film, I’ll update my review.)