Directed by Bert I. Gordon [Other horror films: Beginning of the End (1957), The Cyclops (1957), War of the Colossal Beast (1958), Earth vs the Spider (1958), Tormented (1960), Picture Mommy Dead (1966), Necromancy (1972), The Food of the Gods (1976), Empire of the Ants (1977), Burned at the Stake (1982), Satan’s Princess (1989), Secrets of a Psychopath (2015)]
I wasn’t much impressed with this late 50’s flick at all. Though it was decently well-paced and had a somewhat interesting and innovative story, not to mention a few solid performances, the film just felt somewhat off to me.
The best I can say about this is that John Hoyt has a very solid (and somewhat hammy) performance as a lonely, somewhat unstable doll-maker. Hoyt’s character was sort of sympathetic (though honestly, they easily could have thrown more of an origin), and decently creepy near the finale. The only two others who make any difference at all are June Kenney (who appeared also in 1958’s Earth vs the Spider and 1961’s Bloodlust!) and John Agar (who was in such classics as Revenge of the Creature, 1955’s Tarantula, 1956’s The Mole People, 1957’s Daughter of Dr. Jekyll, and others), and neither one really bring a whole lot to this picture.
Admittedly, Kenney does occasionally have a solid ‘little innocent girl’ feel to her, and due to the plot turn taken about twenty minutes in (which sort of took me by surprise, if I’m being honest), she’s placed in a rather compromising position. A big part of my problem with this, though, are the reactions of the other characters reduced in size – that is, to relax and enjoy the fact that they no longer have any worries. When they sort of change attitudes when alone with Kenney and Agar’s characters, I didn’t feel much more pleased with them, and it’s around that time what was a somewhat taut flick begin falling flat for me.
The special effects are okay, but The Devil-Doll (1936), a film with a somewhat similar idea to this one, was almost more impressive in terms of what they could do on-screen, and it’s perhaps not really surprising coming from a director like Bert I. Gordon, who, while he’s done some films I enjoy, is somewhat well-known for his lower-budget features. In fact, there’s a minute or two of a previous film of his, The Amazing Colossal Man, in this film, playing at a movie theater. Solid advertising, brah.
Attack of the Puppet People had potential, but after a certain point, despite the somewhat quick-moving and interesting story, this just didn’t possess that feeling of dread I was looking for. Certainly a lower-class tier flick for the late 50’s (which was a decently prolific and solid time for the horror genre), Attack of the Puppet People (which, by the way, is a somewhat misleading title) just didn’t do a lot for me, and I couldn’t see myself watching this a second time all that willingly.