Death Warmed Up (1984)

Directed by David Blyth [Other horror films: The Horror Show (1989), Red Blooded American Girl (1990), Wound (2010)]

This New Zealand production is such a madcap movie. I don’t necessarily mean that it’s zany or even fun, but it does have a bit of a wild feel to it, and while it’s definitely not what I’d call a good movie, at least Death Warmed Up has flavor.

Luckily, the plot never feels too out there, as we have a good idea of what’s going on from the beginning. Things get a bit hectic toward the end, what with an outbreak of mutated people causing havoc, but the story never gets overly confusing or at any point nonsensical, which I can appreciate.

Also, while it’s hard to say that anyone really stands out as far as performances go in this movie, most of the central actors and actresses were at least decent. Michael Hurst had a pretty unique look to him, and his character was pretty tragic (that opening was just beautiful). Margaret Umbers, William Upjohn, and Norelle Scott all worked well as friends, and I bought their performances. Gary Day did great as the amoral scientist, and as a lesser antagonist, David Letch (who was also in Mr. Wrong, as was Umbers) was notably threatening.

The special effects and gore were never the biggest focus, but there were plenty of mutated patients (though they were never really in focus, so the extent to their mutations weren’t that clear), some gory skull removal during some operations, a few slit throats here and there, aftereffects of a massacre. None of it was great or really memorable, but at least it was there, and more so, at least it all seemed competently done.

One thing that amused me was the fact that some of the scene transitions used what I’d refer to as Powerpoint slideshow transitions – it didn’t take away from the movie or anything, but it just looked sort of funny, and I can’t think of many movies that use transitions quite like this one did.

The opening, as I alluded to earlier, was pretty solid. You have a guy using a shotgun against two people, and the results looked quite gory. Not that the movie dragged later on or anything, but I think the beginning to Death Warmed Up did a good job at making us, as the audience, wonder what’s coming next, because for this movie, it’s not always that easy to tell.

I find the movie amusing, though there wasn’t much in the way of humor actually in the film proper. It just seemed all over the place, and though there was a coherent story, Death Warmed Up just felt weird. I’ve seen this once before (I own it on the Pure Terror 50-movie pack from Mill Creek Entertainment), and the only scene that I remembered vaguely (as it’s been at least ten years since I’ve seen the movie before this rewatch) was the chase in the tunnels, which was a bit dark as far as lighting was concerned, but moderately suspenseful.

Truthfully, I don’t really like Death Warmed Up, but I can’t find it in me to really dislike it. I do think the movie is a bit below average, but at the same time, this is one that I could easily see myself diving into again in the future, if just due to how odd some of it is. If you’re into New Zealand-based horror, give it a look. You could certainly do worse than this.


Evil Dead (2013)

Directed by Fede Alvarez [Other horror films: Don’t Breathe (2016)]

This remake/soft reboot/re-imagining (however you wish to describe it) certainly ups the ante from the original film, but much like how I’ve never found The Evil Dead all that amazing, I’m likewise lukewarm to this rendition.

No doubt the gore here is noteworthy. What with electric knives cutting arms off, or faces getting peeled off, or tongues getting halved with box cutters, or any of the other various brutal scenes within, Evil Dead has the goods as far as gore’s concerned. It literally rains blood toward the end, so it’s not necessarily a movie for the queasy.

And all of that’s good-and-well, but that doesn’t make me any more a fan of the story. Personally, I’ve never found possession all that interesting. More than anything, when someone becomes demonically possessed, I just get annoyed that their friends and family keep getting fooled by their innocent acts after demonstrating utterly inhuman abilities.

That happens here, too, multiple times. I get it, Shiloh Fernandez’s character wants to believe the best of his sister, played by Jane Levy (Don’t Breathe), but come on, after some of the stuff that the demon does, get it through your head that it’s no longer your sister and do what needs to be done. Stuff like that just always aggravated me, and as such, Fernandez’s character didn’t leave much a positive impression.

Actually, the only one here I really liked was Lou Taylor Pucci. His character made mistakes now and again, but it’s through him we got most of the lore, so I definitely appreciate what he brought to the table. Jane Levy wasn’t bad, by any means, but for most of the film, she was a demon, so we don’t really get to spend that much time with her.

I guess the big issue is that I’ve never been a big fan of The Evil Dead series. I enjoy the second well enough, but the first and Army of Darkness aren’t really my cup of tea. No doubt the atmosphere of the original is decent, and this film itself does have a pretty epic finale, but possession-themed flicks aren’t my go-to when it comes to horror.

Evil Dead isn’t a bad movie due to this – I think it did enough right to satisfy many watching it. The setting (desolate cabin) and some prop pieces (especially that book, which looked hella hip, as the kids say) were commendable, but I did find the movie a bit below average, and that one-second post-credit scene with Bruce Campbell? Pointless.

All-in-all, the movie’s fine, with a decent amount of gore it can boast about. I’d just rather watch so many other things, personally.


This is one of the films covered by Fight Evil’s podcast. Listen below as Chucky (@ChuckyFE) and I discuss this one.

The Ugly (1997)

Directed by Scott Reynolds [Other horror films: N/A]

Honestly, The Ugly is a pretty simple movie, which the lower budget does well with. Certainly not a classic or anything so grand, this New Zealand film still has enough going for it to be consistently enjoyable.

First off, the budget here is a bit on the lower side, evidenced by both the somewhat terrible set (though I think it works to a point in-universe) and the small cast. They didn’t really need a large cast, though, and I definitely think what they had worked out well.

The idea behind the movie (a psychologist learning about the life of an insane serial killer) wasn’t anything too special, but the film was somewhat innovative in its stylistic flashbacks. Some good lighting, some interesting black blood, things just jelled here. I wish that the ending had been a bit more reasonable, as it sort of reminded me of Frailty, but whateves, it’s cool.

There’s plenty of solid cast members here, from Jennifer Ward-Lealand (who plays one of the most unlikable mothers in cinema) to Rebecca Hobbs and Roy Ward (that guy just struck me as utterly random throughout the film). My two favorites here, though, are the main serial killer, played wonderfully by Paolo Rotondo and a childhood friend of his, played by young (at the time, she was around 13) Beth Allen. Both brought a lot to the film, and I especially enjoyed Allen’s scenes early on. Her adult counterpart (Vanessa Byrnes) didn’t do near as much for me, alas.

Much of the film might come across as a typical origin story of any run-of-the-mill serial killer, but I thought it packed a pretty emotional punch here and there. Like I said, it’s more the stylistic nature of some of the sequences more than anything that make it memorable, but there are some decent kills and suspenseful scenes throughout.

I didn’t really think that much of The Ugly when I first saw it years back, but it’s aged nicely, and though I don’t think it’d make my ‘Best of the 90’s,’ it’s certainly a slice of foreign horror that might be worth experiencing once.


This is one of the films covered on Fight Evil’s podcast. Listen below as Chucky (@ChuckyFE) and I cover this one.

The Tommyknockers (1993)

Directed by John Power [Other horror films: Alice to Nowhere (1986)]

When I first saw this mini-series, adapted from a Stephen King novel, I’d not read the source material beforehand. Ultimately, while I know I watched the mini-series, I recalled very little about it. Having in recent times, read the novel, and watching this with the novel in mind, it’s not only forgettable, but somewhat terrible.

A little back-story, though, which might alleviate some of the sting of those words. Though I’ve only a single read-through to base this on, I didn’t care for The Tommyknockers. I liked it more than the Dreamcatcher novel (I think, but it’s a close call), but of the King books I’ve read, it’s solidly in the bottom half. I didn’t entirely mind the disjointed feel the meat of the book had, but I did think that portions of the novel came out a bit of a mess.

For much of the mini-series, things follow the novel closely enough to not warrant too many disagreeable portions (though I’m not fan of the novel, following the source material is probably the way to go when making a movie based of Stephen King’s work). Until the end, that is, when they take a very family-friendly approach to the conclusion, deeply neutering it.

It was neutered long before, though, what with being a television production. Much of the epic feel of the novel is entirely lost in the execution here. Some of the coolest scenes of the novel are nowhere to be found here, and those that make it are changed into a hideously friendly-for-television feel. Certainly other King mini-series have suffered from this (such as It), but because I have no nostalgic feelings for this one, there’s nothing to protect it from my less-than-charitable thoughts.

The cast was mixed bag. I really liked E.G. Marshall in his role as the grandfather, and if there’s any reason to really commend the acting, it’s him. Playing the sheriff, Joanna Cassidy does well, and doesn’t feel too dissimilar from her novel counterpart. John Ashton (Taggart from Beverly Hills Cop) was sort of nice to see, but was nothing like his counterpart from the book, nor was his path here nearly as interesting.

Pretty much everyone else ranges from mediocre to bad. Jimmy Smits didn’t do a thing for me as the main character (and it didn’t help that he didn’t look anything like I imagined the character in the book to). I was neither impressed nor displeased with Marg Helgenberger. Both Cliff De Young and Robert Carradine have a bit of charm to them, but ultimately, I think both are forgettable. Traci Lords, though, does pretty awful here (I’m guessing it’s intentional), and Allyce Beasley (who I recognize solely from an episode of Gotham, believe it or not) is utterly laughable during plenty of her screen-time.

I’ve seen The Tommyknockers twice now (despite, like I said, barely recalling my first experience with it), and it’s not a mini-series that I have any desire to see again. There’s plenty of King’s mini-series’ I’ve not seen yet (Golden Years and Rose Red, to name a few), but The Tommyknockers is a very forgettable and somewhat bad example of a book that, if adapted better, could produce a moderately entertaining movie.

Love the laser lipstick, though. Solid stuff.


Mr. Wrong (1984)

Mr Wrong

Directed by Gaylene Preston [Other horror films: N/A]

At many points throughout the film, Mr. Wrong feels like a traditional ghost story, and I think that it’s a feeling that works out pretty well, though it doesn’t leave me feeling utterly wowed.

This New Zealand flick might be a bit conventional at times, and you can certainly see the ending coming from some miles away, but it has that spooky vibe that works. Featuring a woman who isn’t the generic beauty queen also helps out, and gives the film a somewhat more ‘everyman’s’ feel.

Heather Bolton does a good job as the main character, and at times, I think one can really feel the terror she too feels. David Letch has a good, ominous presence, though I would have liked a bit more back-story regarding him.

The biggest detriment this film has is the fact that while it certainly has chills, it’s extraordinarily light on actual kills. While I wasn’t expecting any gore (which was good, as there’s none to be found), I was hoping for a higher body count than what we actually got. Related, the movie occasionally feels as though it has a sluggish pace, and while there are really well-done and suspenseful sequences at times, it does drag a bit.

Still, if traditional ghost stories are your thing, then I think this would work out. It’s certainly nothing overly special, but it’s a very competently-made and compelling film, so if you can get beyond the New Zealand accents, I’d give it a go.


Last of the Living (2009)

Last of the

Directed by Logan McMillan [Other horror films: N/A]

This film pretty much feels like New Zealand’s answer to Shaun of the Dead (Zombieland came out some months after this, but that possibly influenced this also). A low-budget flick with a small cast but a lot of heart, Last of the Living is a generally enjoyable watch.

Despite using some techniques that I never much cared for (such as blood splatter hitting the camera), this movie did pretty well with the small budget they possessed. Plenty of fun fighting sequences, not to mention a few enjoyable collages, and just some stand-out smaller scenes, such as when the three main characters go shopping. It wasn’t anything special, but it just felt right, for lack of a better description. Special effects weren’t that amazing, but personally, I think the characters and the overall fun of the film sort of make up for that shortcoming.

The cast, with all due respect, are pretty much nobodies. Our three main male characters, played by Morgan Williams, Robert Faith, and Ashleigh Southam, all did pretty good with their roles, and all three were pretty likable characters (Williams’ character could be a dick at times, but he was still a mostly solid guy). Southam in particular was a fun actor, playing a somewhat nerdy, yet still efficient, zombie killer. Emily Paddon-Brown, playing about the only serious character in the film, was both a beauty to behold and honestly, probably put up one of the better performances in the movie.

Because there are virtually only four important characters in the film, it sort of helps add to the whole “last of the living” type vibe, even though we know there has to be more people out there. There were some pretty touching scenes, even, toward the end of the film, which came across sort of a surprise given this is pretty much your run-of-the-mill zombie comedy. The soundtrack was also pretty solid, for the most part.

The biggest flaw here is that the movie runs a bit longer than I’d have liked. Sort of felt a bit spread thin near the end, say the final ten minutes. If it could have been wrapped up in 80 minutes, and it easily could have been, I’d argue it’d come out a bit better. Not only does it drag a bit toward the end, but the ending itself wasn’t really what I’d have expected from a movie like this. Nothing is wrong with it, it just went a route I would’ve preferred the film left alone. Lastly, while most of the comedy is perfectly fine, there were a few small scenes that didn’t do it for me. That, along with some minor audio quality issues, weren’t that big a deal, but if you’re going into this looking to be disappointed, I think they’ll definitely stand out.

Sure, Last of the Living isn’t much different than Shaun of the Dead, and certainly didn’t introduce anything new (though I’d argue it’s much the same case with most zombie films), but it had some pretty fun characters, enjoyable and touching scenes, and overall a sort of low-budget party vibe to it. Does it run a bit long? Sure, but I can certainly see myself putting this in my DVD played again and giving it a third viewing. It wasn’t original, but I don’t think it was meant to be. It was meant to be fun, and I think Last of the Living succeeded.