Mikey (1992)

Mikey

Directed by Dennis Dimster [Other horror films: N/A]

This is a moderately interesting little movie, if not potentially somewhat forgettable.

Starring Brian Bonsall (who was on Family Ties for three years), Mikey’s a story of a psychotic kid, though without the flair of The Bad Seed or the religious nature of The Omen. Just a kid who gets off on killing people.

It’s a simple affair, and Bonsall does his role pretty well. Generally speaking, most of the main cast does also. Mikey’s adoptive mother, played by Mimi Craven (who had a small appearance in the original A Nightmare on Elm Street), is memorable in her role. Whit Hertford (Jacob from the fifth A Nightmare on Elm Street and also having a minor scene in Jurassic Park) was pretty decent as a neighbor of Mikey’s (though really, he never goes anywhere).

Lyman Ward (who, funnily enough, had a small role in Freddy’s Revenge as Ron’s father) was pretty fun as a school psychologist, though I wish he had gotten more scenes. Quite attractive in her role, Josie Bissett played Hertford’s sister pretty well, though again, like Ward, I wish they did a little more with her in the movie.

The unsurprising standout, though, is Ashley Laurence, who is most well-known for her role of Kirsty from the first two Hellraisers (well, and Hellseeker, but let’s not talk about that). Mikey comes across as a lower-budget flick, so how they got Laurence, I don’t know, but she shines in every scene, and her interactions with Ward were always enjoyable.

The thing that stands out most about Mikey, Laurence aside, is the low-budget feel the movie has. At times, it reminds me of The Stepfather, in that it occasionally feels much like a television movie. While there’s not really a ton of gore (the most common form of execution is electrocution), there’s a few solid scenes of individuals beaten with hammers and bats, or shot with arrows. For the most part, though, they don’t really stand out one way or the other.

One small last thing, the setting of this film, being Arizona, was sort of interesting. While most of the time you couldn’t tell one way or the other, a few of the shots that showed the moderate sparse locality just felt interesting. For one reason or another, though it made zero difference insofar as the plot’s concerned, it stood out to me.

Mikey’s occasionally slow throughout the film, but with as many interesting actors and actresses as there are, I was never quite bored. The final twenty minutes were pretty fun (as was the entirely expected last minute scene), but I wouldn’t quite say the movie was entirely worth watching. Having seen it twice, I personally find it a decent flick, but it’s one of those movies where it’s not quite good, but has some charm to it. I would probably put Mikey somewhere marginally above average, but if you go in looking for The Omen, or even The Good Son, you probably won’t be happy.

7.5/10

Bride of Chucky (1998)

Bride of Chucky

Directed by Ronny Yu [Other horror films: Jui gwai chat hung (1983), Lung hei bik yan (1984), Meng gui fo tiao qiang (1988), Freddy vs. Jason (2003)]

I will admit, this was a deeply disappointing rewatch.

Much of the gore and death sequences in this movie are solid. Electrocution scene, well-done. Nails to the head, pretty good (though I could’ve done without the Pinhead reference). Waterbed death – good idea, not that great an execution. Overall, though, the movie is best when it focuses on these scenes.

Because nothing else is really worthy of much praise.

Jennifer Tilly’s voice annoys me, I won’t lie. But what annoys me so much more is all of the in-jokes this movie had, from the aforementioned Pinhead reference, to a joke about the amount of sequels this series has, and even throwing in artifacts from other famous slashers (A Nightmare on Elm Street, Friday the 13th, etc.). It felt off. Not stupid exactly, but just too close to parody.

An even bigger problem is the story, though, which I just didn’t care for all that much. Because of it’s lighter tone, it’s missing almost all of the suspense that the first three movies possessed, and because of the nature of the plot, it felt extraordinarily ridiculous at times, pretty much all stemming from Tiffany’s character.

Acting was a mixed bag, with some good (Katherine Heigl and Lawrence Dane), some eh (Nick Stabile and Gordon Michael Woolvett), and some atrocious (Michael Louis Johnson is the biggest problem here). John Ritter’s character was a piece of trash, but it was nice to see a friendly face. Brad Dourif did just as good in this performance as he has before, but the script really didn’t help him out. And as much as I don’t want to bash on Tilly, I didn’t care for her character whatsoever, even before her soul went into the doll.

This is a steep decline from the first three movies. The third certainly wasn’t perfect, but it’s tone was still pretty menacing at times. This flick just felt glossy, a bit ridiculous, somewhat vapid, and aside from the gore, not really worth that much. And the ending was just terrible, I thought. Perhaps the most disappointing rewatch in a while, Bride of Chucky didn’t really do it at all for me this time around.

5.5/10

Bride of Chucky is one of the film’s Fight Evil has covered on our podcast, episode #31. Give Chucky (@ChuckyFE) and I a listen as we discuss this sequel.

Child’s Play 3 (1991)

Child's Play 3

Directed by Jack Bender [Other horror films: The Midnight Hour (1985)]

If Child’s Play 3 has any real drawback, it would be that it lacks some of the spirit of the first two flicks, along with possessing some occasionally shoddy acting. To be honest, though, again, I was moderately surprised by just how solid this movie was upon rewatch.

The main problem, as I alluded to, is that this flick lacks much of the magic of the first two. Why exactly that is, I’m not sure. It did, to a certain extent, feel a bit rushed, and while there was a kid in danger, being at a military academy, it’s hard to compare that to Andy being locked in a mental institution with Chucky coming after him. There were some tense scenes throughout, but nothing that much felt like the first two films.

As for the kid, Jeremy Sylvers, he did pretty well with his role, though not nearly as well as Vincent did. And the character Botnick, played by Andrew Robinson (who, interestingly enough, played Larry in Hellraiser) was a bit over-the-top, enough so to make his scenes feel rather ridiculous.

But plenty of other actors did quite well: Justin Whalin (Andy), Perrey Reeves (De Silva), Travis Fine (Shelton), Dean Jacobson (Whitehurst), Dakin Matthews (Cochrane), and Peter Haskell (Sullivan, the only familiar face from the last film) all did varying well with their roles, though somewhat problematically, none of them really stood out one way or the other.

The kills throughout the film were pretty damn good. Some slit throats, a good garbage truck crushing, slow motion bullet wound (during a fantastic war game sequence), Child’s Play 3 didn’t skimp out on gore. Even Chucky’s demise (at least, insofar as this movie goes) was beautifully bloody. And that heart attack scene? I’m still laughing at that. Related, I still get a kick out of the “Hide the Soul” game (originally brought up in the second film); I remember, even as a kid, how funny that was.

The whole ending sequence (from the war games to the carnival) was fantastically fun. The haunted house finale, while not as good as the final fight in the second film, was an absolute blast, which included heavy duty fans, swinging scythes, and a mountain of skulls. While this doesn’t possess the charm of the first two movies, Child’s Play 3 is still a very solid sequel and film, and any fan of the first two flicks would do well to check this one out.

8/10

This has been covered on Fight Evil’s podcast, episode #20. Listen to hear Chucky (@ChuckyFE) and myself discuss this one.

Leatherface: Texas Chainsaw Massacre III (1990)

Leatherface

Directed by Jeff Burr [Other horror films: The Offspring (1987), Stepfather II (1989), Pumpkinhead II: Blood Wings (1993), Puppet Master 4 (1993), Puppet Master 5 (1994), Night of the Scarecrow (1995), The Werewolf Reborn! (1998), Phantom Town (1999), Straight Into Darkness (2004), Frankenstein & the Werewolf Reborn! (2005), Devil’s Den (2006), Mil Mascaras vs. Aztec Mummy (2007), Resurrection (2010), Puppet Master: Blitzkrieg Massacre (2018), American Resurrection (2022), Carnage Collection – Puppet Master: Trunk Full of Terror (2022)]

Finally, a Texas Chainsaw Massacre movie I can enjoy.

Keeping things simple, this flick is basically a more polished version of the first movie, and drops the atrocious black comedy tone of the second, much to it’s favor. While I’ve only seen it twice now, I find it a very enjoyable movie to just sit back, relax, and watch.

The Sawyer family here is far more functional than they were in the first two movies (how the family got anything done in the second is utterly beyond me), and more so, the members themselves are more enjoyable. Leatherface (R.A. Mihailoff) is pretty much as he always is, but the additions of Tex (Viggo Mortensen) and Tinker (Joe Unger) were strong indeed, Tex especially for his strong charisma. Alfredo (Tom Everitt) was the weak point, being this film’s answer to the first film’s Hitchhiker and second film’s Chop Top, but he was still infinitely less annoying than the earlier renditions. In short, the family felt more functional, and that really helped with enjoyment.

More important, though, is Ken Foree (of 1978’s Dawn of the Dead fame), who plays a survivalist named Benny. Benny is a badass – he knows how to fight, shoot, and come out ahead. I was pleased with his presentation and his story throughout the film, and Michelle (Kate Hodge) should feel quite lucky he popped up when he did.

The gore in this film is slightly muted, I feel, but there’s still some decently good stuff (such as a painful scene where Michelle tries to free her nailed-down hands from a chair), and though it’s not made a priority, the implication of more gore is always there (an off screen head-smashing, some chainsaw action, etc.). Apparently much of this was because the producers wanted to avoid an X-rating, so screw them.

While this film went back to the basics, it wasn’t able to catch the same level of grittiness the original movie had (though, to be sure, I think it’d be close to impossible for any 90’s movie to match the grittiness of a 70’s flick), which has it’s pros and cons. That said, there’s little to complain about here. You have a good setting (that bog of bodies was beast), occasional action, some amusing lines (“You never heard of pizza?”), solid suspense and acting, and lastly, Ken Foree. A very solid movie, and perhaps one of the best this series has been able to make.

8.5/10

Child’s Play 2 (1990)

Child's Play 2

Directed by John Lafia [Other horror films: Man’s Best Friend (1993), Monster! (1999), The Rats (2002)]

This moderately amazes me to say, but the second Child’s Play really is about as good as the first, if not a little better. It’s probably negligible when it comes to the rating, in truth, but nonetheless, Child’s Play 2 is an extraordinarily well-done sequel.

The main cast is close to excellent throughout. Gerrit Graham (of TerrorVision fame) plays a good jackass foster parent. Jenny Agutter, his character’s wife, does well as the more sensible of the two (though to be honest, out of the main cast, Agutter’s the least memorable). Of course, Alex Vincent comes back as Andy and does a fantastic job, basically playing a kid who knows he’s screwed, no matter what he does.

The winning cast member, however, is Christine Elise. Playing a street tough kid, Kyle, in the same foster home as Andy, Elise shows a lot of heart and never has a boring scene. She was in a few television movies and various episodes prior to Child’s Play 2, so this was her feature film debut, and boy, was it strong. A very likable character, Kyle was a gem to see throughout the film.

Of course, Brad Dourif does a fantastic job again, with some fantastically amusing and well-done lines. I can never get enough of Dourif’s voice acting, as it really makes Chucky the badass he is. On a related note, while there were a few deaths that didn’t do much for me (the first one, for instance), the suffocation death was jolly good fun, and every death past that was entirely serviceable. Chucky went all out, especially near the end (and boy, did he get mutilated as the movie went on), and was a sight to behold.

The special effects were damn good, especially regarding Chucky’s bodily mutilations toward the end. Somewhat ironic that most of the gore in this flick comes from the antagonist, but it looked great and worked out well.

I’ve seen this movie many times before, but it never struck me until now just how well this compares with the first movie. The tight story-writing and fantastic cast really allows this sequel to stand up with the original, and more so, this movie itself can stand up as one of the best 1990’s horror flicks (honestly, the competition wasn’t high in that decade). Child’s Play 2 wastes no time, and from beginning to end, it’s a damn fun ride with an amazing finale.

8.5/10

This was covered on Fight Evil’s podcast, episode #18. Listen below as Chucky (@ChuckyFE) and I discuss the film.

Hardware (1990)

Hardware

Directed by Richard Stanley [Other horror films: Dust Devil (1992), The Island of Dr. Moreau (1996, uncredited), The Theatre Bizarre (2011, segment ‘The Mother of Toads’), Color Out of Space (2019)]

I’ve seen this once before, but since I don’t even know how long ago that was, in many ways, this was virtually a new viewing.

Hardware is an interesting film. Partially, it’s an industrial nightmare, much like Tetsuo from a year earlier (though Tetsuo takes it to extremes Hardware doesn’t touch), and it’s at time’s artsy, but some real suspenseful action and horror sequences are thrown in also. It’s a gritty movie, and while it loses it’s enjoyment factor as it drags on, overall, it’s solid.

Set in one of the best post-apocalyptic Earth’s I’ve seen, Hardware is down and dirty, with a very mechanical, almost steam-punk, type vibe to it. The imagery and surroundings are really breath-taking, and certainly give the film a unique feel.

The acting isn’t always great, but two of the kills were on point. While it wasn’t often this movie voyaged into gory regions, when it did, it took no prisoners, and for those two scenes alone, any horror fan should give this flick a shot if they’ve not already.

As good as the deaths and atmosphere are, though, there are some glaring problems.

While the movie at first is going well, about ten minutes past the hour mark, you sort of want things to start wrapping up, but it’s not until twenty minutes later that they actually do. Part of this was, for me, because the first hour of the film is pretty enjoyable, but as it became increasingly experimental in flavor, I found myself not liking it as much the longer it went on. It just felt too long, and while the conclusion was satisfactory, it could have been 15 minutes shorter, at least, and still come out well.

When I first saw this flick, I probably didn’t like it. It’s not the type of movie a 14 or 15 year-kid would generally enjoy. And now, while I certainly find it an interesting ride, it’s still not amazing. It’s grittiness is well-done, but I didn’t enjoy Tetsuo that much, so this too was a mixed-bag. It’s a good movie with good gore, but as for a movie that I’d give repeated rewatches to? Nah, this ain’t it. Still worth at least one watch, though.

7.5/10

Ghostwatch (1992)

Ghostwatch

Directed by Lesley Manning [Other horror films: N/A]

This British entry to ghost films is immensely creative and enjoyable. First airing on BBC1 on Halloween, 1992, Ghostwatch is shown as a “live” television special about examining the supernatural, hosted by long-time broadcaster Michael Parkinson.

Throughout the event, he speaks to callers, guests who both believe and disbelieve in the supernatural, and learns about the supposedly supernatural happenings at a house in northern London, a live investigation (led by real UK television personality Sarah Greene). Even now, in 2017, it’s an immersive experience, unlike almost any other movie I’ve seen. It feels real, in short.

And I can only imagine, back during the Halloween of 1992, it felt real to the viewers too. Such was the furor and fright of the reactions that BBC actually placed a ten-year ban on the program before it could be aired again. And the film still holds up today.

When I first saw it, during one of the October Challenges of year’s past, I rather loved it, and it stood out easily. Luckily, a re-watch doesn’t dull the immersive sense of the film. A movie I totally recommend, and one of the highlights of the 1990’s. Lastly, kudos to Michael Parkinson – he did immensely well here, and I see why his own program lasted as long as it did. He has both a soothing voice and fantastic presence.

8.5/10

Nightwatch (1997)

Nightwatch

Directed by Ole Bornedal [Other horror films: Nattevagten (1994), Vikaren (2007), The Possession (2012)]

When I first saw this film, I rather enjoyed it. Or at least that’s what my IMDb rating (an 8/10) would lead me to believe. Perhaps the second viewing of this film falters for everyone, or it’s not nearly as good as I remember it being, though, as I was mostly not that enthralled with it this time around.

The whole atmosphere of the film seems sort of off, especially regarding Martin’s (Ewan McGregor) friend James (Josh Brolin). James just doesn’t seem to care about anything, and his attitude is one that’s difficult to relate to. He’s just an odd character, and didn’t feel right to me. The movie’s decently slow – it doesn’t really pick up until an hour and 15 minutes (the whole run-time is an hour and 40 minutes), which was a major detriment.

We had some memorable actors, such as Nick Nolte (who had a great role), Brad Dourif, and John C. Reilly (who was, for some reason, uncredited, despite having significant screen-time near the end), but the story itself didn’t do much for me this time around. It’s a disappointment, really: I was rather excited about seeing this one again, but not only does it not live up to what I remembered, and not only did it feel average, overall, I thought the film was a bit below average.

Truth be told, I don’t have much more to say about this one. It had solid actors, moderately decent gore, and it picked up near the final thirty minutes, but everything beforehand fell a bit flat. Despite previously enjoying this, it just doesn’t hold up.

6.5/10

Idle Hands (1999)

Idle Hands

Directed by Rodman Flender [Other horror films: The Unborn (1991), Leprechaun 2 (1994), Nature of the Beast (2007), Eat Brains Love (2019)]

Idle Hands is one of those movies I caught when I was quite young, so though it’s not my usual style of horror-comedy, I can’t help but feel a tug of nostalgia when revisiting this one. That said, I do think the silliness could have been notched down, and while aspects are decent, I’d be lying if I said I thought the movie was good.

There are so few killer hand movies that, at the very least, they had an interesting premise going into the film. Off the top of my head, The Beast with Five Fingers and The Hand are the only two similar movies that come to mind, so I do give props for coming up with something different.

I also give props to the strong cast. Devon Sawa (later in Final Destination) did a great job as the lead, Seth Green and Elden Henson (who I retroactively recognized immediately from the NetFlix Daredevil series, where he played Foggy Nelson) were both pretty good, and Jessica Alba looked quite the angel at times. Some of the performances from Green and Henson (and to be fair, many of those in the movie) were a bit goofy, but that’s more the style of comedy this was going for as opposed to their faults.

As far as the special effects went, I will say they were impressive. There’s a decidedly disgusting scene where the hand was thrown into a microwave, and as it bakes, blood bursts from the fingertips, which was gruesome. The effects behind the hand mostly look good – sharpening the fingers with an electric pencil sharpener even gave a fun and deadly look to the appendage.

Another thing worth mentioning is the strong opening. While much of the time spent with Anton (Sawa’s character) was more on the generic side, we open seeing his parents get killed by a mysterious figure. The suspense isn’t anything overly impressive, but it does have a darker tone than the rest of the movie, and so I definitely appreciated that.

My biggest problem with Idle Hands, and this has been my biggest problem ever since I was a kid, is that sometimes the comedy is just too silly. Some characters return from the dead and go on silly side-quests (which include eating burritos after duct-taping a decapitated head back onto a body) and eventually become guardian angels. It’s just too ridiculous for me, and I don’t care for that aspect of this whatsoever.

If that is your type of humor, though, then I don’t doubt you could do worse than Idle Hands. The performances and story are surprisingly solid, and though at times it might feel like you’re watching a stoner teen comedy as opposed to a particularly terrifying movie, you can have an okay time with this. It’s not my preference, and I do find it below average, but at the end of the day, this horror-comedy hybrid is serviceable.

6/10

Kalifornia (1993)

Kalifornia

Directed by Dominic Sena [Other horror films: N/A]

This is a film that many, perhaps rightly so, wouldn’t consider horror – it should come as no surprise to anyone (especially those who follow me on Twitter) that my definition of horror, much like my politics, is decidedly more liberal than others. That said, while I do consider it a horror film, I understand that most probably wouldn’t.

Whether it’s horror or not, though, doesn’t take away from the actors – all four of the central actors did a fantastic job. Brad Pitt’s portrayal of a redneck serial killer is pretty eye-opening to watch. His empty-headed girlfriend, played by Juliette Lewis, was a sight to see, and how Lewis was able to keep the air-headed act up was amazing. Of course, David Duchovny was of good value – his character’s not too much different from Mulder in The X-Files, a serious, single-focused individual, not averse to having fun, but always keeping on track. Lastly, Michelle Forbes did a fine job as Carrie, Brian’s (played by Duchovny) girlfriend.

The cast is spectacular, to make matters short. Decent gore can be found a few places also, though it is rather limited. As for the story, I think it’s moderately decent, but not overly amazing. Really, the actors were the highlight of the movie. A bit of a hard one to rate, honestly, partially because it treads the line of horror/non-horror, but it was a decent movie with solid actors. Not overly crucial, and more so, not even that amazing compared to other films, but it might be worth checking out.

7.5/10