Directed by David Carson [Other horror films: N/A]
Among my more well-known eccentricities is that I’m not a giant fan of the classic Carrie. It wouldn’t make my top 25 horror films from the 1970’s, let alone my top ten, which is a hot take, believe it or not. An even hotter take is that I enjoy this television production more than the 1970’s classic, and while I am sure some might be aghast, I can’t say I feel much shame.
The cast here is spectacular. Angela Bettis (May and Toolbox Murders) was the perfect choice, as she really pulls off Carrie’s character and personality. Patricia Clarkson (who was in both Delirium and Easy A – completely similar movies) was a good fit for Carrie’s mother, and her back-and-forth with Carrie was always fun to watch. Kandyse McClure (of the 2009 version of Children of the Corn fame) was decent as Sue, and a bit snappier here (for good story reasons) than she elsewise generally is.
Emilie de Ravin (who I think I recognize best from Santa’s Slay, but have also seen in The Hills Have Eyes remake and the mystery Brick) gave a good performance as the ultra-bitchy Chris, and related, Katharine Isabelle (Ginger Snaps, Freddy vs. Jason, and 13 Eerie) was great as her ultra-bitchy friend. Tobias Mehler stuck me as somewhat uninspired, but Rena Sofer and David Keith (Firestarter) were very good.
Though he only got one really stand-out scene, I also loved Laurie Murdoch, who played the principal, and though her character isn’t really relevant, I also wanted to mention Meghan Black, if only because I know her as the voice of Rogue in the cartoon X-Men: Evolution, which I watched the hell out of when I was a kid. Lastly, playing Carrie during a flashback, we have a young Jodelle Ferland (the kid in Silent Hill and later in movies such as The Unspoken and Neverknock).
So despite being a television movie, the cast did rather impress me. It’s true that there were obvious limitations in terms of special effects (which can likely most clearly be seen during the prom carnage and later the scene in which Carrie’s slowly walking and bringing the town down with her), but generally, I didn’t think this really harmed the story too much (I think the worst bit may have been the scene right before Carrie snaps – I just think it ran on a bit long).
The story itself takes some daring alterations in the finale, which I didn’t remember from my first-time viewing of this. While it’s true that how they ended this version isn’t novel accurate, I was never a giant fan of the novel, and the fact that this has a less down-beat ending actually sort of made me enjoy it a bit more.
Speaking of the novel, while neither the original 1976 version or the 2013 version did this, the novel has a lot of newspaper articles, journal entries, letters, and various things from Carrie’s life following the tragic event, split in between the telling of the central story. They don’t quite do that here, but the movie is framed during an interview by the police following the prom disaster, which I liked quite a bit, largely perhaps due to it giving David Keith time to have fun with his character.
With all of this said, what issues I have with the other adaptations are still true here – I just don’t love the story. However, because this version has a less depressing conclusion, I can dig it more. Sue me.
Much like how I enjoy the 1997 The Shining mini-series more than the 1980’s film, I enjoy this television production more than both the 1976 and 2013 versions. I’m an odd duck, but I can only say what I feel, and I truly enjoyed this one more. Good stuff, especially with the limitations they had.