Directed by Claudio Fragasso [Other horror films: Virus (1980), Rats – Notte di terrore (1984), Leviatán (1984), Zombi 3 (1988), After Death (Oltre la morte) (1989), La casa 5 (1990), Troll 2 (1990), Una notte da paura (2012), Italian horror stories (2021)] & Bruno Mattei [Other horror films: Casa privata per le SS (1977), KZ9 – Lager di sterminio (1977), Virus (1980), L’altro inferno (1981), Violenza in un carcere femminile (1982), Rats – Notte di terrore (1984), Zombi 3 (1988), Terminator II (1989), Occhi senza volto (1994), Cruel Jaws (1995), Snuff killer – La morte in diretta (2003), Mondo cannibale (2004), Nella terra dei cannibali (2004), La tomba (2006), L’isola dei morti viventi (2007), Zombi: La creazione (2007)]
This Italian film, originally titled Non aprite quella porta 3, was an occasionally fun, occasionally dry movie, but I don’t think many people could say that it wasn’t entertaining.
Once the film moves away from the random kills and starts focusing on a single woman (Tara Buckman) and her ordeal of being abducted by a mysterious man (Peter Hooten), I think the movie gets in a bit of a lull, but it really doesn’t stay there long, and even though the portions I could have done without, it doesn’t stay too dull.
I’d say that no one really went out of there way to give a great performance, but most of the main actors and actresses were fine, such as Tara Buckman and Peter Hooten (despite his somewhat questionable character). Mel Davis (the police officer) and Lee Lively (the doctor) made for an interesting pair when they were on screen, and I appreciated it. I don’t think we learned enough about Richard Foster’s character to really make a judgment one way or the other.
Being a slasher fan, I did enjoy most of the kills here. None of them are really amazing (most of them end with the killer ramming his razor-sharp claw-glove through women’s stomachs), but that opening scene had some quality suspense and even a painful-looking cut. As for the end – well, I appreciate them going outside the box a little (because if things had ended how it was setting up to, it would have been quite the lack-luster conclusion), but I’m not entirely buying it either.
The masked killer in Night Killer looks silly, but it does possess it’s hokey charm, and certainly if he’s raping and killing women, the silliness of his mask sort of declines over time. I don’t think this Italian movie was necessary, and I wish it felt more like a giallo than a third-rate slasher, but for the early 90’s, in a country where soon horror would be hard to come by, I can appreciate the film. I just don’t love it.
This is one of the films covered on Fight Evil’s podcast. If you’re interested in hearing what Chucky (@ChuckyFE) and I think about this Italian film, check it out, brahs.