Directed by Ishirô Honda [Other horror films: Gojira (1954), Gojira no gyakushû (1955), Jû jin yuki otoko (1955), Godzilla: King of the Monsters! (1956), Godzilla (1957), Tokyo 1960 (1957), Bijo to ekitai ningen (1958), Daikaijû Baran (1958), Half Human: The Story of the Abominable Snowman (1958), Gigantis: The Fire Monster (1959), Mosura (1961), Varan the Unbelievable (1962), King Kong vs. Godzilla (1963), Matango (1963), Mosura tai Gojira (1964), Uchû daikaijû Dogora (1964), War-Gods of the Deep (1965), Furankenshutain tai chitei kaijû Baragon (1965), Furankenshutain no kaijû: Sanda tai Gaira (1966), Gezora, Ganime, Kameba: Kessen! Nankai no daikaijû (1970), Gojira tai Hedora (1971), Godzilla (1977), Godzilla 1985 (1985), Gojira vs. Desutoroiâ (1995), Gojira tai Megagirasu: Jî shômetsu sakusen (2000)]
Released beautifully in color, this Japanese monster movie, a follow-up of sorts to the Godzilla movies, is a pretty fun film, and while, much like the recently-seen The Beast from 20,000 Fathoms, it isn’t my normal cup of tea, I can indulge in a sip or two.
What makes Rodan work is how the story unravels – it starts out with mysterious murders, and then it’s discovered those deaths are caused by a creature long-thought dead. And then we find out there are more of these creatures, and then there’s a giant egg, and then there’s two Rodans, so it’s all fun.
The design for Rodan isn’t the best, and the effects are questionable, especially since you can clearly scene the strings holding it up in multiple scenes, but I thought they were fun anyway. The fact that they flew at supersonic speed (and certainly had the sound effects to back that up) and caused utter destruction with their sound-waves was cool. One of the Rodans (or Rodani) just flew above a jeep, and utterly fucked it up, so when it happens to whole parts of the city, it’s hella fun.
I can’t say there’s much in the way of memorable characters here aside from maybe the lead, Kenji Sahara, and even he wasn’t amazing, but he did have cool hair. Really, in a movie like this, with so many moving parts, it’s not easy to have a plethora of important and interesting characters, so the fact that Sahara was about the only one that stuck out to me isn’t that much a deterrent.
Toho monster movies aren’t something I’ve a lot of experience with, but I’ve seen Rodan before, and it’s enough fun that I’m sure I’ll see it again. I don’t think it’s a special movie (though the color is smashing), but it is a decent one.