Directed by Kimble Rendall [Other horror films: Bait (2012), 7 Guardians of the Tomb (2018)]
More than anything, Cut pissed me off. This Australian slasher could have been something interesting, but ended up an annoying movie that explained little-to-nothing, and just fell as flat as something could fall.
Get this – after a murder during the filming of slasher in the 1980’s titled Hot Blooded! (which doesn’t sound remotely like an 80’s slasher, which is consistent, because the movie doesn’t look like an 80’s slasher either), the production shuts down. Some film students want to finish up the film, but they start getting killed off. I’m tempted to just reveal who the killer is, but I’ll simply spoil it by saying it’s none of the characters that’d make sense.
Apparently the film is cursed. People who screen the unfinished movie mysteriously die. I don’t know why, because based on the only scene we ever see from the original film, it’s just generic rubbish that would be out of place in any recommendable 80’s B-slasher. The movie isn’t good enough to be cursed, and it would have helped if there was some reason for the curse to begin with.
Oh, and don’t forget, one of the characters is actually the daughter of the original movie’s director who was killed, and she thinks that Hot Blooded! was more than just a “hacky slasher.” Apparently it was deeper than that, but the problem is, we literally see zero evidence of that in any way. It looked like a 90’s made-for-TV slasher when it was supposed to be some unsung classic of the 1980’s.
Oh, and get this: they defeat the curse by burning the film (whatever), but then it’s screened by a whole lot of people at the end of the movie, and of course, because of the curse, the scary Scarman (who looks like a really shitty Freddy Krueger at times) pops up and kills them all.
God, this movie frustrated me. As soon as the girl in charge of wardrobe and the boom operator go missing for a whole day, you’d think they’d shut down the shoot until they, you know, find them? I didn’t even like Molly Ringwald in this, and I enjoyed her in The Stand (that may be because her character’s far better in The Stand, though). I guess Jessica Napier and Sarah Kants do okay, but I’ll forget them tomorrow, so the fact they stood out the most is troubling.
You know, another movie with a somewhat similar idea was 2008’s Midnight Movie. The difference being, of course, that Midnight Movie was actually pretty fun, all things considered. It had flaws, but it was fun. I didn’t find Cut fun. There was a single line I laughed at (and it was more of a chuckle, let’s be honest), but mostly I was stuck watching a really bad post-Scream slasher.
Oh, and one of the characters, when talking about making the movie, said “Who wants to make a mainstream slasher movie? Bigger than Halloween, creepier than Friday the 13th, more blood and guts than Texas Chainsaw Massacre?”
I wanted to give up then. Some of these characters speak about the positives of horror films, and come across as fans at times, so it amazes me that they think The Texas Chainsaw Massacre was bloody. It was brutal and gritty, sure, but “blood and guts”? Yeah, no. If they had said something like “more blood than H.G. Lewis and Nathan Schiff combined,” I would have given some points, because at least they’d sound like fans, but the Texas Chainsaw Massacre?
Oh, and “bigger than Halloween”? Get the fuck out.
Post-Scream slashers sometimes get a bad rap, and I’ll admit that many of them aren’t as good as they should be (such as Urban Legend, which did rather disappoint me the last time I saw it). I still enjoy I Know What You Did Last Summer, The Clown at Midnight, Lovers Lane, and Cherry Falls, though.
Cut, however, is trash.
This is one of the films covered by Fight Evil’s podcast. Listen below as Chucky (@ChuckyFE) and I discuss Cut.
One thought on “Cut (2000)”