Directed by Roger Corman [Other horror films: The Beast with a Million Eyes (1955), Day the World Ended (1955), It Conquered the World (1956), Not of This Earth (1957), Attack of the Crab Monsters (1957), The Undead (1957), War of the Satellites (1958), The Wasp Woman (1959), A Bucket of Blood (1959), The Little Shop of Horrors (1960), Creature from the Haunted Sea (1961), The Pit and the Pendulum (1961), The Premature Burial (1962), Tales of Terror (1962), Tower of London (1962), The Raven (1963), The Terror (1963), X (1963), The Haunted Palace (1963), The Masque of the Red Death (1964), The Tomb of Ligeia (1964), Roger Corman’s Frankenstein Unbound (1990)]
This Roger Corman movie is one I’ve been wanting to see for some time now, and now that I finally have, I’m somewhat underwhelmed. Oh, House of Usher is solid enough, and possesses both great performances and an enjoyable atmosphere, not to mention a fantastic conclusion, but still, I couldn’t help but expect more from it.
Even with the slight disappointment, though, there’s no doubt that Vincent Price brings a hell of a lot to this film. His character, paranoid and somewhat of a bastard, is great, and his performance is up there with the best of his material (House on Haunted Hill and Theater of Blood among them). The delivery of his lines is fantastic, and he just works wonderfully here.
The others are decent, and somewhat amusingly, my second-favorite performance here is not Mark Damon nor Myrna Fahey, but the butler, played by Harry Ellerbe. His loyalty to the dying House of Usher, despite all of the decay that he’s witnessing first-hand, was quite admirable, and I enjoyed him throughout. Fahey was good also, though I felt she didn’t really reach her stride until the finale. Truthfully, while Mark Damon was okay, I think he was the least stellar of the cast.
Also worth mentioning is the beautiful setting, being a desolate, decrepit mansion in the middle of a foggy swamp. With a cast as small as House of Usher had, this location brought more character to the movie, and the fact that it was in color, though gloomy still, was a nice touch. Related, the coloring here was solid, and it really shows in the psychedelic dream sequence, one of the moments that stands out a bit more.
The finale is fantastic, what with the mad search for a woman buried alive, only to discover that the woman has escaped her coffin and went mad, her bleeding fingers leading a trail to a great confrontation. Of course, this truly is the end of the House of Usher, and that’s probably for the best, given Price’s very apparent unstable mind-set.
House of Usher is a classic, and I don’t have a problem saying that. I just wish that I liked it a bit more than I already do. Perhaps I was overselling it to myself before seeing it, but still, the movie is certainly above average, and boasts a very good atmosphere and, of course, Vincent Price near his best.