Directed by James Wan [Other horror films: Stygian (2000), Saw (2004), Dead Silence (2007), Insidious (2010), The Conjuring (2013), Insidious: Chapter 2 (2013), The Conjuring 2 (2016)]
Being only the fourth movie I’ve seen from 2021 (the first three being the Fear Street movies), Malignant came out of nowhere and took Twitter by storm. I saw so many reactions to this movie in such a short span of time, and though I don’t usually jump into seeing new movies that quickly, I did have the opportunity to watch this, and definitely found it worthwhile.
I don’t think I can call it a great movie. There are plenty of very well-done elements, to be sure, but at best, I think it’s just quite good. It can be a wild ride, especially if you go in with very few preconceptions (as I did, as luckily, most of what I saw online was quite vague). I didn’t know what I was going into, and I definitely had a blast trying to figure out exactly what was going on, which always makes for a good experience.
Reaction has been somewhat mixed – generally, I see positive comments, but it seems that those who disliked the movie disliked it quite a bit, and I can sort of see that. Toward the end, there were portions I wasn’t particularly fond of myself, and if someone sits through an almost two hour movie to reach an unsatisfactory conclusion, I get why that might leave a bad taste in your mouth. Personally, I dug enough of the film, and found much of it interesting, that I had a pretty good time, but I think I can understand those who didn’t.
Even if someone didn’t like it, though, if there’s one thing Malignant excels in, it’s having an engaging story. You’re trying to figure out the whole story along with the characters, and are having a good time doing so. Some of the cinematography is absolutely stunning (such as the overhead point-of-views during a chase sequence), some of the scares superb (the washer scene, for instance), and the atmosphere quite strong. Some feel it’s reminiscent of classic giallos, and I myself (who watched this with online friends) saw Argentino’s name pop up a few times. I don’t personally know if I’d go that far, but I can say that this movie carries with it a very unique vibe.
The somewhat amusing thing is, as much as I enjoyed portions of the movie, none of the performances wowed me. Make no mistake, I think that both Annabelle Wllis and Maddie Hasson are decent, and their performance as sisters believable, but I don’t think either one stood out. George Young was someone I was sort of expecting more from, but his character was never really given much to do, so again, there’s no much here to watch for as far as performances go.
That’s probably okay, though, as a brunt of the entertaining scenes deal with utter violence and rampage. Things go somewhat slowly during the first half of the film – I was interested and engaged throughout, don’t mistake me – but when things pick up in the last thirty minutes, they really pick up. Some expected yet still well-done revelations and violence galore (my favorite perhaps being a face being crushed on the floor, but a chair being thrown was another quality scene), and it’s just a hell of a lot of fun.
Related, the special effects (much like the camera-work) are fantastic. There are some body horror elements that look quite disturbing, and the movements of the killer have a creepy jerky look to them (which is explained in story, which is nice). The violence that plays the movie out is just a lot of fun – arms being cut off, faces being smashed, throats being slit – I don’t doubt that they knew what they were going for when they threw these action-packed sequences in, and they did a damn good job on them.
I do think the story could have been a little stronger at times, and there are some things not answered by the plot, but I did love the mystery here, and though Malignant isn’t a movie I’d call perfect, I do say freely that it’s a refreshing movie, and definitely one I’m eager to revisit in the future.