Directed by Ridley Scott [Other horror films: Alien (1979), Alien: Covenant (2017)]
I can’t recall exactly how long it’s been since I’ve seen this movie in full, but I will say it’s been at least eight years. I remembered some of the scenes here, but not that many, so the film had a somewhat fresh feel to it. Also, it’s a decent amount more graphic than The Silence of the Lambs, which only works in it’s favor. Honestly, I enjoyed this one, and thought it a mostly fun romp.
The idea of a previous victim of Lecter’s seeking revenge against the good doctor is pretty fun, and it casts the victim, Verger, as both sympathetic, but also somewhat blood-thirsty (though certainly not without reason). Even before Lecter gets back to the USA, seeing him ingratiate himself in Italy is a lot of fun too, and in fact, the Italian portions of the film were perhaps the most interesting to me (it doesn’t hurt that the segment ended with a fantastic disembowelment).
Unlike some, I didn’t think Julianne Moore’s presence in lieu of Jodie Foster’s was that bad. Obviously, it would have been great to get Foster to reprise her role, but Moore did perfectly fine playing Clarice, and got on well with Sir Anthony Hopkins. Of course, Hopkins does fantastically as Lecter, and stole the show, especially in his Italian scenes, but really, throughout the film, he’s great. Gary Oldman, playing a rather disfigured victim of Lecter’s, does a great job, and his voice creeps me out as much today as it did when I was younger, watching the film. Other stand-outs include Giancarlo Giannini and Zeljko Ivanek. I didn’t particularly care for Ray Liotta’s performance, but that’s partially because his character was so over-the-top scummy that I didn’t have an ounce of sympathy for him at any point.
This movie isn’t particularly violent, but like The Silence of the Lambs, there are a few good scenes here, ranging from a previously-mentioned disembowelment to some solid pig action (and I don’t mean in a Wedding Trough fashion). There’s nothing that seems over-the-top in Hannibal, and the ending, which leans more toward disturbing than it does violent, was pretty solid.
Really, Hannibal’s gotten a decent amount of flak, which is a shame, as I think it’s a solid follow-up to one of the most classic films of the 1990’s. Truth be told, while I do enjoy The Silence of the Lambs, I think I prefer Hannibal, and a large part of that might be because this has a little more of the horror feeling than it’s predecessor does. I’d give them roughly the same score, but Hannibal was one that, surprisingly, I found I really enjoyed after revisiting.