Directed by Tobe Hooper [Other horror films: The Texas Chain Saw Massacre (1974), Eaten Alive (1976), The Dark (1979), Salem’s Lot (1979), The Funhouse (1981), Poltergeist (1982), Invaders from Mars (1986), The Texas Chainsaw Massacre 2 (1986), Spontaneous Combustion (1990), I’m Dangerous Tonight (1990), Night Terrors (1993), Body Bags (1993, segment ‘Eye’), The Mangler (1995), The Apartment Complex (1999), Crocodile (2000), Shadow Realm (2002), Toolbox Murders (2004), Mortuary (2005), Djinn (2013)]
Having seen this once before and enjoying the hell out of it, I’m disappointed to admit that, having seen it with fresh eyes, this mid-1980’s Tobe Hooper outing doesn’t really do that much for me.
The special effects are generally really solid, at least insofar as the draining of the bodies’ energy goes, along with a few great scenes of general massacre during the finale, where the whole of London is under attack by what basically amounts to zombies. Even when in space, things looked pretty decent, though it wasn’t near as mind-blowing as movies that came before, such as the classic Alien.
For me, the biggest problem is that it seemed to drag, and I’m not sure some of the plot points where explained all that well (such as the exact connection between the space woman vampire played by Mathilda May and Steve Railsback). Some sequences were really enjoyable, such as the break-out of May’s character from the facility, or the finale with the devastation in London (in fact, much of the finale really picked things up from a formerly sluggish pace), but overall, I found myself somewhat struggling.
The main cast is all decent with little to really complain or compliment about. I did sort of like seeing Patrick Stewart (for the screen-time he got), as he’s appeared in only a few other horror films (2015’s Green Room and 1985’s The Doctor and the Devils). That said, the whole sequence which Stewart was mostly featured in didn’t really do that much for me. Both Steve Railsback and Peter Firth did perfectly fine, as did Frank Finlay (though he’s another character I wish appeared more). Mathilda May was reasonably attractive, so the fact she walked around nude for the first 40 minutes of the film didn’t hurt matters.
I think, for me, the story just wasn’t as fully realized as perhaps I thought it was when I first saw Lifeforce. It certainly has some positive things going for it, but after this time around, I think that Tobe Hooper has definitely directed better things in his career, such as the obvious picks of The Texas Chain Saw Massacre and Poltergeist, but also The Funhouse and perhaps even Toolbox Murders (2004), which was rather underwhelming itself. Maybe the next time I watch Lifeforce, I’ll get more from it, but as for now, I find the film below average, and while functional, not really that enjoyable.