Directed by Brett Simmons [Other horror films: Husk (2011), The Monkey’s Paw (2013), Animal (2014), Chilling Visions: 5 States of Fear (2014)]
For a modern-day slasher, this was refreshingly innovative and ultimately a pretty fun take on what generally is a far too played out story.
Told in a non-linear narrative, much of it in flashback with a framing sequence, this comedy-horror mix was pretty fun. While laugh out loud moments weren’t really all that common, the humor here was still pretty enjoyable, and there was enough decent gore, though not the focus, to also keep slasher fans happy.
The structure of the narrative ends up making the film not only more unique, but more memorable also. I enjoyed how the beginning was told via flashback, but then we sort of caught up to the present, and went from there. It helped greatly with Alyson Hannigan’s inactive role, and gave her, despite lack of action, a lot to contribute.
Of course, Hannigan’s presence is perhaps one of the reasons this movie’s gotten more attention than it otherwise might have. Hannigan does great here, and while I basically only know her from the American Pie movies (I’ve never seen any How I Met Your Mother), I think she gave a great performance. As a lead, Franz Kranz (Marty the stoner from The Cabin in the Woods) was fantastic also, and brought a fun performance to the film. Brittany S. Hall and Jenna Harvey did well also, Harvey especially as the innocent, final-girl type.
At times, the humor was a bit much, such as the final few seconds, but even that was foreshadowed, so it didn’t come across nearly as bad as it otherwise would have. Really, for a modern-day horror-comedy, this was a pretty solid mix without the comedy coming across as either overbearing or too still, which was sort of nice.
The director of this film, Brett Simmons, also directed a flick called Husk from 2011, which had been one of the few scarecrow horror films I’ve found worth watching (along with the more classic Dark Night of the Scarecrow from 1981 and Scarecrows from 1988), but that film, as much as I recall liking it, didn’t reach the unique level this one did, so it’s great to see the director’s improving his craft.
You Might Be the Killer may not win any awards, but it’s a movie with a solid main cast (most of the cast not mentioned are interchangeable, but that sort of fits with the nature of the film), an occasional retro-feel, enjoyable humor, and most importantly, an innovative narrative. Definitely a movie I’d recommend to any slasher fans.
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