Directed by Kelton Jones [Other horror films: N/A]
I went into this one hoping for the best, and I liked aspects of the first half, but in the last twenty minutes or so, Dry Blood really started to irk me.
To be fair, I was irked earlier on also. So the main character (Clint Carney) is a drug addict trying to get clean, so he goes to a rather secluded cabin he partly owns in order to dry out. So far, so good. He asks a friend (Jaymie Valentine) to come to the cabin to help, and she does, so he now has support.
Here’s the issue – apparently even before he got addicted to drugs, the main character has a history of hallucinating, and so when he goes into withdrawal, the stuff he’s seeing could be caused by multiple issues (including, by the way, drugs he brought with him that he may or may not remember taking).
All of this is to say that we have a super unreliable narrator in Carney, and come the conclusion of the film, it’s hard to say what the true events of his stay at the cabin actually are. Did he kill some people, including a cop, or was that another vision? Even with that reveal in the last few minutes, I still don’t really know. Was the cop hounding him, as it seemed? Did his ex-wife come by? I have no idea, because with the drugs and hallucinations, nothing is clear-cut, and when they throw in possible flashbacks, it’s even worse.
Little in Dry Blood wowed me to begin with. I guess some of the special effects are decent, the cabin itself is a perfectly acceptable setting, and sure, the idea in of itself was interesting, but what we have here is mostly a ‘Oh, is it supernatural, hallucinations, or a combo?’ thing going on, and at that point, who knows what’s actually happening.
I went into Dry Blood with little expectations (assisted by the fact that I had never heard of this before starting it), and honestly, the first thirty, forty minutes of the movie were pretty solid. Once we are faced with more visions/dreams/drugged artifacts of the mind/supernatural stuff, though, I became more frustrated than anything.
Now, it is possible that everything is there in order to make sense of the story. Maybe with a close re-watch, the story of what really happens at that cabin emerges. It’s possible, and it would be unfair of me to discredit that. However, with this first-time watch, that certainly wasn’t the case, and while the movie does do some things right, and the basic idea is worth considering, I didn’t much care for this final product.