Directed by Turi Meyer [Other horror films: Sleepstalker (1995), Alien Express (2005)]
I can’t even remember the last time I saw this flick – it’s easily been over eight years. This isn’t surprising, considering how utterly sub-par the movie is, even compared to the below-average Farewell to the Flesh.
Certainly, I understand some of what they were going for. They had a lot more skin and scantily-clad women in this one, and seemed to up the amount of gore. The story wasn’t anything new, though, and it just came across as pretty pointless, especially when the second film was pointless enough.
One of the things that bothers me about the Candyman films are the titular character’s angle. In this film, he keeps talking about how, once his descendant is his victim (willingly, as for some reason that matters), they’ll become myths whispered about in reverence by their congregation, and become immortal due to that. First off, I don’t think it’s a surprise that someone would refuse such if, to get there, they had to be impaled by a hook, but ignoring that, once Candyman discovers an actual newly-formed congregation, devoted to his myth, he just kills them all.
I really don’t get what Candyman’s going for. It’s not even revenge against the people who wronged him – he’s literally going after his descendants, who you would think he’d want to protect, if anything. It’s just one of those things that has been a somewhat constant annoyance, and while it didn’t much impact the first film (because it was otherwise a fantastic horror-fantasy mix), it bothered me throughout this one.
Of course, Tony Todd himself is a pretty threatening presence on screen, and despite not understanding his motivations, he brings the character to life. Robert O’Reilly and Wade Andrew Williams did pretty good as some racist cops. Ernie Hudson Jr. was solid in a few scenes as a black police officer, and I wish he had gotten more screen-time.
On the other hand, it’s obvious why they chose Donna D’Errico (who was in Baywatch, apparently) as the main actress, and it has to do more with her breast size than acting ability. Oh, make no mistake, she was smoking, but I wasn’t overly convinced with her performance throughout the movie. Jsu Garcia (credited as Nick Corri) was sort of nice to see (he played Rod Lane in the first A Nightmare on Elm Street), but his performance here wasn’t overly spectacular, and generally, he came off a bit generically.
If there’s one thing I liked about this film, it’s how it portrayed the racism that Latino communities face from the police, and along with the somewhat solid ending, it ends up being one of the few true high points of the film. Otherwise, there’s no real reason to go out of your way to see this one, unless you’re a die-hard Candyman fan.
Day of the Dead is worse than Farewell to the Flesh, and both are below-average, which is a real shame, considering that the first movie proved that, done right, the idea of Candyman could be rather effective. Sadly, this late 90’s sequel focuses more on nudity and gore, and fails to realize that potential.