Directed by Terence Fisher [Other horror films: Three’s Company (1953, episodes ‘The Surgeon’ & ‘ Take a Number’), The Curse of Frankenstein (1957), Dracula (1958), The Revenge of Frankenstein (1958), The Hound of the Baskervilles (1959), The Man Who Could Cheat Death (1959), The Mummy (1959), The Stranglers of Bombay (1959), The Brides of Dracula (1960), The Two Faces of Dr. Jekyll (1960), The Curse of the Werewolf (1961), The Phantom of the Opera (1962), The Gorgon (1964), The Earth Dies Screaming (1964), Dracula: Prince of Darkness (1966), Island of Terror (1966), Frankenstein Created Woman (1967), Night of the Big Heat (1967), The Devil Rides Out (1968), Frankenstein Must Be Destroyed (1969), Frankenstein and the Monster from Hell (1974)]
Starring Pat Boone (who provides the one jazzy musical number of the film, a song sharing the title of the film), this horror comedy ended up being a lot more fun than I anticipated going in.
At times, this flick felt a bit goofy, as though I were watching an episode of the Addams Family, but actually, for the most part, the humor was both still amusing and rather snappy at times. It felt like a more well-rounded version of The Old Dark House remake from 1963, I feel. Snappy story, fun sequences, a catchy song, and even a moment of both dread and suspense.
Pat Boone does perfectly fine as the lead character, and like I said, his one song lends the movie a bit more enjoyment. Erica Rogers and Andree Melly had solid presences also. Everyone else was just sort of there (Valentine Dyall has sort of a Vincent Price thing going on there in a few scenes), but no one did poorly, which it really all that matters.
Directed by the talented Terence Fisher (for a list of his contributions to the genre, just scroll up), The Horror of It All isn’t necessarily a classic, but I had a lot of fun with it, especially with the song and the ending.