Directed by Michael Taylor Pritt [Other horror films: Fun Time (2015), Miles Before Sleep (2016), Night Howl (2017)]
This was the first 2017 movie I saw, and the second Michael Taylor Pritt film I was able to watch (Mile Before Sleep, which I previously reviewed, being the first one). And though this is one of Pritt’s newer films, I actually preferred Miles Before Sleep.
Before any of that, though, let’s briefly discuss this movie. A group of five friends go to a secluded house to party before two of them defect to Canada, but shortly after getting there, they’re stalked and killed off by a mysterious killer. The plot’s simple enough, and honestly, the film doesn’t throw many unique plot points out at you. The kills are decently done (especially one toward the end), but overall, I don’t know how memorable they’d be.
The design of the killer’s mask (which is partially glow-in-the-dark) is pretty cool, and other small things, such as the atmosphere (save for the ending, which I’ll expand on shortly) work out well.
The acting’s a mixed bag – I rather liked most of Pritt’s acting, and others, such as Alyssa Cordial and Rob Pemberton, did a pretty good job, but some of Bridgette Kidd’s lines felt forced. Actually, quite a bit of the dialogue was flaky, and sometimes fell a bit flat, but most of the time, that was tolerable.
One of the places this was most notable, though, was the reveal of the killer. It felt a bit rushed, and I think that’s something that could have been done better. The final ten minutes felt rather out of place, though. Obviously, I won’t go over plot points, but let’s say that the ending, in my opinion, came out of left field, and really, I didn’t feel the final ten minutes were necessary.
At an hour and 15 minutes (the final five minutes being credits), I think the movie could have been cut down a little bit, maybe trimming the ending (or removing it entirely) and a few scenes throughout the film. Miles Before Sleep, not counting the outtakes, was around 53 minutes, so given how this one was about twenty minutes longer, I couldn’t help but feel as though it was dragging a few times throughout the film.
All this said, it’s a perfectly acceptable low-budget slasher flick. It’s more formulaic than Miles Before Sleep was (or at least that’s my impression), but I rather liked the group of friends as a whole, and thought that they did well together. It’s a bit below average, but for a fan of lower-budget horror, it may well be worth checking out.
5 thoughts on “Are We the Waiting (2017)”
70 minutes of generic slasher with a cool-looking costume? Hmm… consider me intrigued…slightly
For a lower-budget film, it’s not necessarily that bad. There were some decent kills, and indeed, that mask is pretty damn cool, but of all of Pritt’s movies, this was the most underwhelming in my opinion.