Directed by Anthony Waller [Other horror films: An American Werewolf in Paris (1997), Nine Miles Down (2009)]
This is a pretty mixed ride, and much of that due to the fact the film sort of switches up genres toward the end, going from a tense slasher-esque flick to an almost black comedy/crime movie.
That’s not entirely fair, though – the comedy, most of it black, wasn’t terrible, but given the first two-thirds of the film, I thought it was going a bit far. It’s going from horror to crime that bothered me, and although it made sense story-wise, I didn’t care for the shift.
Most of the movie is quite suspenseful. A long chase scene as a mute woman attempts to outwit two people who she saw murder someone. That sequence, especially the ending, was well-done, and the follow-up scene was too an elongated, albeit more peaceful, sequence, wrought with both confusion and frustration.
There wasn’t a bunch of gore here, but what there was ended up being fine. The biggest selling point, by far, is the suspense anyway, which the film does really well. But the last third of the film felt a lot like a crime movie, and the triumphant ending doesn’t erase the distaste I rather had of that portion.
Russian actress Marina Zudina (who is somewhat well-known in her home country) does really well here, playing a mute character in a rather dangerous situation. Fay Ripley and Evan Richards, though, contributed most of the black comedy, and like I said, I could have done without that addition. Really, Zudina should get the most props, by far – her performance here is excellent.
I like a lot of things about this movie. Like I said, the slasher-portion of the film is tense as hell, and until the movie shifts to a crime-feel, the movie was on it’s way to a way above average score. As it is, the final thirty minutes really didn’t do much for me, so while I still recommend the film, especially for 90’s horror, I wouldn’t call Mute Witness amazing.